The Panji Narrative Structure in Hikayat Susunan Kuning dalam Negeri Gagelang

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Panji Tradition Reimagined: Study Reveals Political Narrative Shift in Classical Malay Hikayat

A new literary study by Bayu Aji Prasetya, Bani Sudardi, and Asti Kurniawati from the Department of Cultural Studies, Faculty of Cultural Sciences, Universitas Sebelas Maret, Surakarta, reveals how a classical Malay manuscript transforms the well-known Panji narrative tradition into a political and dynastic story about power and state legitimacy. The research was published in 2026 in the International Journal of Contemporary Sciences (IJCS).

The study examines Hikayat Susunan Kuning dalam Negeri Gagelang, a classical Malay literary text preserved in the Leiden University Library. The researchers found that while the manuscript retains the narrative framework of Panji stories—one of Southeast Asia’s most influential literary traditions—it reorients the storyline toward themes of warfare, royal succession, and territorial expansion. The findings highlight how literary traditions adapt across cultures and historical contexts, transforming narrative meaning while preserving recognizable structures. 

A Regional Literary Tradition Across Southeast Asia

Panji stories originated in the Javanese court tradition and later spread widely across Southeast Asia. Variants of the narrative appear in Thailand, Cambodia, Myanmar, and the Malay world. These stories typically follow a noble hero who undergoes trials, travels between kingdoms, and eventually restores political and social harmony—often culminating in a royal marriage.

Because of their flexible narrative structure, Panji stories have been easily adapted by different cultures. Each region incorporated local values, political ideologies, and moral frameworks into the storyline. As a result, the stories evolved into distinct regional versions while retaining the recognizable elements of the original Javanese tradition.

In the Malay literary environment, these stories appeared in the form of hikayat, a genre of classical prose narratives. Malay authors and scribes adapted the Panji narrative to align with local aesthetic conventions, political ideals, and ethical teachings. This transformation is often described by scholars as a process of “Malayization.” 

A Manuscript from the Colonial Era

The text analyzed in the study, Hikayat Susunan Kuning dalam Negeri Gagelang (HSK), offers a unique example of this adaptation process. The manuscript was copied in 1820 by a Malay scribe named Ja’in Abdurrahman at the request of Dutch colonial official Colonel Jan David van Schelle in Batavia. The document is preserved today in the Leiden University Library under the shelfmark Or. 1755. 

The story centers on Susunan Kuning, a powerful ruler of the kingdom of Gagelang. In the narrative, Susunan Kuning defeats the king of Daha, Pakubuwana Jaya Negara, in battle. After the victory, Susunan Kuning’s son is installed as ruler of the conquered kingdom.

Unlike many traditional Panji stories that revolve around romantic quests and reunions between princes and princesses, this narrative focuses on warfare, conquest, and the establishment of political authority. The shift makes the hikayat a rare example of a Panji story transformed into a heroic and dynastic narrative.

How the Research Was Conducted

The research used a qualitative philological and literary analysis approach.

The researchers examined the HSK manuscript through close reading of its narrative structure, including:

  • Characterization
  • Story setting and locations
  • Narrative motifs such as travel, warfare, and marriage
  • Patterns of conflict and political power

The study relied on the transliterated version of the manuscript and contextualized the text within broader scholarship on Panji traditions and classical Malay literature. By combining structural analysis with cultural interpretation, the authors sought to identify how the Panji narrative framework was preserved while its ideological meaning shifted. 

Key Findings

The study identifies several major transformations in the narrative structure of Hikayat Susunan Kuning dalam Negeri Gagelang.

1. The Hero Becomes a Political Conqueror

In classical Panji stories, the protagonist is typically a wandering prince searching for his beloved. In the HSK narrative, however, Susunan Kuning appears primarily as a military leader and state founder.

Key characteristics of the protagonist include:

  • Exceptional bravery and supernatural strength
  • Authority over multiple subordinate kingdoms
  • Leadership in warfare and territorial expansion

Rather than a romantic hero, Susunan Kuning represents an ideal ruler whose legitimacy comes from military success and political stability.

2. Female Characters Serve Dynastic Functions

Traditional Panji narratives center on the heroine—often Sekartaji or Candra Kirana—whose reunion with the hero symbolizes harmony and cosmic balance.

In HSK, female characters play a different role. They appear mainly as:

  • Royal consorts from other kingdoms
  • Mothers of heirs to the throne
  • Figures who strengthen alliances between states

Marriage in the narrative therefore functions less as a romantic climax and more as a tool for political consolidation.

3. A Court-Centered World of Competing Kingdoms

The story takes place in a network of kingdoms, including:

  • Gagelang
  • Daha
  • Majapahit
  • Darwati
  • Tuban
  • Kuripan
  • Palinggam Cahaya
  • Zamin Umbara

These locations form a court-centered narrative world, where political power, royal succession, and military conflict dominate the storyline.

The cities and palaces are often described as fortified spaces guarded by thousands of soldiers, emphasizing the importance of state power and military organization.

4. Journey Motifs Become Political Expeditions

In classic Panji tales, journeys represent a hero’s search for identity and love. In the HSK narrative, journeys take on a different function.

Travel between kingdoms often serves as:

  • Diplomatic missions
  • Military campaigns
  • Territorial expansion

This transformation reflects the broader shift from romance narrative to political epic.

Why the Findings Matter

The study demonstrates how literary traditions evolve when they move across cultures. The Panji narrative structure remained recognizable in the Malay hikayat tradition, but its meaning changed significantly.

Instead of focusing on romance and personal destiny, the Malay version emphasizes:

  • Statecraft
  • Political legitimacy
  • Dynastic continuity
  • Military leadership

These findings illustrate how classical literature functioned as more than entertainment. In many cases, stories served as tools for teaching political ethics and reinforcing ideals of kingship.

The research also contributes to a deeper understanding of Southeast Asia’s shared cultural heritage. The Panji tradition connects multiple literary cultures across the region, highlighting centuries of interaction and narrative exchange.

As Bayu Aji Prasetya of Universitas Sebelas Maret explains in the study, the narrative of Susunan Kuning demonstrates how the Panji framework can be reshaped into a “heroic-dynastic narrative emphasizing territorial expansion, political stabilization, and state legitimacy.” 

Author Profiles

Bayu Aji Prasetya, M.A.
Department of Cultural Studies, Faculty of Cultural Sciences, Universitas Sebelas Maret, Surakarta.
Specializes in philology, classical Malay literature, and Southeast Asian narrative traditions.

Prof. Dr. Bani Sudardi
Faculty of Cultural Sciences, Universitas Sebelas Maret.
An expert in Indonesian literature, cultural studies, and traditional narrative systems.

Dr. Asti Kurniawati
Faculty of Cultural Sciences, Universitas Sebelas Maret.
Her research focuses on philology, manuscript studies, and classical literature of the Malay world.

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